December 27, 2011

How Kraftwerk’s ‘Computer World’ Predicted the Soundtrack of Modern Life

COMPUTER-WORLD

Maybe Kraftwerk had a time machine.

How else could they have known thir­ty years ago what the ambi­ent sym­pho­ny of every­day life would sound like? The mechan­i­cal chirp of the cell phone. The alert chime of an incom­ing text or email. The assort­ment of bleeps, buzzes and bloops that emanate from the microchip-based brains of every­thing from our lap­tops to our cars.

On the Ger­man quar­tet's 1981 release Com­put­er World, these syn­thet­ic sounds are woven into seven puls­ing, intri­cate com­po­si­tions that say: the future starts here.

If they sound eeri­ly famil­iar now, think how they must have sound­ed back at a time when a Mac was a ham­burg­er and a mouse was a rodent.

Kraftwerk was formed in 1970 when Flo­ri­an Schnei­der and Ralf Hut­ter, two clas­si­cal music stu­dents at Düsseldorf Col­lege, got bored with study­ing the old pow­dered wig com­posers. Draw­ing on their love of syn­the­siz­ers and exper­i­men­tal avant–garde sounds, they forged a style that they intend­ed to be "machine-like" (Kraftwerk means "power plant").

But it was no ordi­nary machine. It had heart and mys­tery, and it threw off sparks of warm-blooded melody along with piston-pumping, robot­ic dance beats. Kraftwerk's sound became a blue­print for so much that fol­lowed – from tech­no and house to trance and hip-hop (Afri­ka Bam­baataa's Kraftwerk-based song "Plan­et Rock" is often called the birth of hip-hop) – that you could argue they rank with The Bea­t­les as the group who've cast the widest influ­ence on pop­u­lar music (Kraftwerk has also been sam­pled by hun­dreds of artists, from Madon­na to Beck to Fer­gie)............

How Kraftwerk's 'Computer World' Predicted the Soundtrack of Modern Life
http://www.mentalfloss.com/blogs/archives/111281

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